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By Kyoshi Kosugi, James Davies

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Extra resources for 38 Basic Joseki

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57 Another example Dia. 9. Whereas in Dia. 1 Black 1 was the only good move, here it is just one among many possibilities, but it is easy to understand. If White defends on the right side at 2, then Black can extend toward the shimari with 3. If White plays 2 on the lower side, then Black can attack on the right side at ‘a’. Dia. 10. White’s four-line extension to Δ may look unsafe, but if Black invades at 1, White has 2 and 4 to play, which give Black the cut at ‘a’ to worry about. If he plays 5 to defend against it, then White answers at 6, which opens up the possibility of a connection underneath at ‘b’.

If he plays it here, Black will just push out with 10 and 12. Now it is obvious that there is too little territory below White 9 and too much open space above it. 39 Dia. 6. The other key point for White is at 9. This play enlarges White’s wall and, by preventing Black ‘a’, reduces Black’s prospects on the right side. If Black answers White 9, he should do so at 10. Dia. 7. If Black plays 10 here he leaves a serious weak point at ‘a’ which White can exploit if he has a stone further up on the right side.

It may be better for him to look for eye space than just to run away into the center, and if so, he should play 2. Black can confine him with 3, but he lives comfortably with 4 and 6. 57 Another example Dia. 9. Whereas in Dia. 1 Black 1 was the only good move, here it is just one among many possibilities, but it is easy to understand. If White defends on the right side at 2, then Black can extend toward the shimari with 3. If White plays 2 on the lower side, then Black can attack on the right side at ‘a’.

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